My WORST experience with
the spirit world.....

My first contribution is a story about the most frightening experience of my life (so far!) It's a ghost story that has the added dimension of being TRUE!

Some years ago I was in a somewhat popular folk-band that managed to secure a  Summer's work at a folk club in  Cornwall. The six of us were given the keys to an old cottage in the village of Perranuthnoe, near  St Michael's Mount, in which to stay.
After a few weeks, the owner of the club was so pleased with our efforts that he gave us an evening off: he suggested a barbecue and provided us with crates of beer and some chops and sausages to cook on the fire.
As dusk approached we walked through the old wooden gate of the cottage, straight onto the shallow, sandy beach. The tide was out and there was the beginnings of a sea mist. The lead singer, Bob and I walked casually down to the water's edge, while John, the other guitarist, and our three girlfriends remained to tend the fire. It was Bob (a six foot six tall man who was frightened of nothing) who first spotted the figures: there, at the edge of the mist were three barely discernible outlines wading knee-deep, parallel to the shoreline.

Bob and I squatted down together. Could they be smugglers? Some other band of desperate criminals, up to no good on this isolated fore-shore? As the trio drew level with us, they seemed for the first time to become aware of our presence: they turned towards us. It was at this moment that I shook Bob's arm and whispered hoarsely "They're not making a wake, Bob!" And indeed, the three figures approached the beach without the slightest disturbance of the water through which they were apparently wading. Suddenly the ravelling mist swirled and cleared: for the first time we could see the figures plainly at perhaps twenty metres range……..That sight will haunt my dreams for the rest of my life: the three 'men' (though they hardly deserved the appellation) can only be described as having the appearance of rotting corpses. Their empty eye-sockets stared vacantly towards the beach, while shreds of skin and flesh hung from their emaciated frames.
Someone screamed….it could have been Bob or I: it doesn't matter…..The sound galvanised the pair of us. We turned and ran up the beach, past the flaring  driftwood fire and into the house. From behind us we heard gasps of horror, and the panic-stricken footsteps of our companions.

That night was spent in sleepless terror of what we had seen only too well on the deserted beach. The doors were locked and barricaded with furniture, but none of us dare surrender to sleep.  As the first light of day spread from the East, we summoned the courage firstly to peep through the thickly-curtained windows, then to open the door and venture outside. John and I had abandoned our acoustic guitars in our rush from the beach.  The neck of John's £300 Epiphone was warped and twisted beyond repair by the chill sea-mists: it somehow didn't seem to matter.

Later that day the club-owner dropped by. " Did you have a good evening, boys and girls?" he enquired
" Not...disturbed at all?"

We finished the Summer season and went on to further musical success….but, by common consent, that night on the beach at Perranuthnoe was never discussed by any of us……….

As I said at the beginning: this IS a true story!


The Loch Ness Monster!


At one time I had pretensions of authorship: I wrote articles for magazines and newspapers and set my sights on having something less ephemeral appear in print.
A friend of mine shared my interests in the paranormal: he eventually took the cloth to become Father Lionel Fanthorpe, the wrestling vicar and presenter of 'Fortean TV'. Lionel encouraged me to pursue my ambitions with a study of Loch Ness: he himself was engaged in writing a book about the mystery of Rennes Le Chateau and was confident he could find us both a publisher.

To cut the proverbially long story short, I hired a caravan at the lochside village of Abriachan, taking along for company a somewhat dour 'Brummy' called Phil who had spent some time as a volunteer with the Loch Ness Investigation Bureau.

Every morning Phil and I would rise at dawn and drive to a vantage point above the loch near Urquhart Bay. We would sit and watch the huge expanse of water until dusk before adjourning to the nearby Drumnadrochit Hotel for an evening's chat with the locals.

I should at this juncture reveal that both Phil and I were scientists: he a chemist, I a biologist. While both profoundly interested in the mythology of the Loch, neither of us had any great expectations of seeing anything, other than the ubiquitous otters and water-birds that constitute a large percentage of claimed sightings!

One afternoon we had arranged to spend a couple of hours in the company of now-famous news presenter Nick Witchell in his caravan overlooking Urquhart  Bay. We were driving towards our rendezvous along the northern shore when, as we passed the village of Achnahannet, I happened to glance towards the water. To my amazement a large, living creature was sculling lazily past the John Cobb marker post on Johnnie's Point. It resembled nothing more nor less than the grey back of an elephant:  I skidded my Escort Mexico into a layby and Phil and I tumbled down the scree slope to the lochside. At 50 metres range, it was obvious to us both that we were watching the  back of a living creature that was predating the shoals of migratory fish concentrated by the jutting peninsula of the Point.


The beast moved round the point before heading out to mid-loch, where it submerged with barely a ripple.
After a few seconds I turned to Phil, his face a mask of incredulity.  At this point I reflected upon the two cine cameras with 500 mm lenses on the back seat of the car! What an opportunity we had missed!

Since that day in 1972, I have had several similar encounters with the supernatural and mythical: strange to relate, whenever I have had camera equipment to hand, I have either failed to use it or (more mysteriously!) it has failed to function!

The book? Well it was written, but at the eleventh hour, the publisher decided to use Witchell's manuscript instead of mine!

 


What do YOU think?

Is it just me, or does the Hugh Gray 1933 photo look uncannily like a Golden Labrador with a stick when you increase the contrast?